Mar 29, 2024  
2014-2015 Catalog 
    
2014-2015 Catalog [ARCHIVED CATALOG]

Courses


 
  
  • ART 202 - Video Production.


    COM 200  or COM 204 /THE 204  or COM 210 /THE 210  ; or consent of instructor. (3) T.

    Principles and practices of planning, producing and directing video productions, including the basics of digital video and studio and remote filming.  Focus on how video production and its use influence media productions. Also listed as COM 202 .
  
  • ART 203 - Video Editing.


    (3) T.

    Post-production video editing, including video capture, timeline basics, transitions, trimming, audio basics, creating effects, and texts.  Students learn to use the latest industry-standard editing software as they work on the post production phase of a video/film project. Also listed as COM 203 .
  
  • ART 204 - Art, Design and Theory of Interaction.


    (3).

    Discussions of elements that make connections to different types of interaction design and art. Introductions to aspects of theory, history of interaction design through art, web design, mobile design and games.
  
  • ART 211 - Introduction to the Comics Studio.


    One of ART 100 , ART 120 , ART 131 ; or consent of instructor. (3).

    Introduction to the components of sequential art making and the art of the comic. Exploration of visual storytelling theories and techniques using various materials. Students create visual narratives while critically addressing and discussing artistic, instructional and narrative capacities of comics.

     

     

  
  • ART 214 - Color Photography.


    ART 116 or ART/COM 126. (3).

    Introduction to the history, aesthetics, and technique of color photography; emphasis on critical method and practical exercises. Also listed as COM 126  .
  
  • ART 216 - Advanced Black and White Photography.


    ART 132 , ART 141 . (3).

    Continuation of materials and techniques of ART 116 . Introduction to medium format film development and printing techniques, advanced and experimental techniques of the photographic medium.
  
  • ART 218 - Alternative Photo Processes.


    ART 116  or consent of instructor. (3).

    Introduction to non-silver and non-traditional imagemaking. Exploration of experimental techniques involving historical processes, Polaroid materials, computer-generated negatives, mixed media combinations.
  
  • ART 232 - Typography I.


    Visual Communication major or minor; ART 252 /THE 252  or consent or instructor. (3).

    Introduction to the history and use of typography within the field of visual communication. Exploration of type, from individual letterforms to words and pages and integration of image and text.
  
  • ART 235 - Topics in Printmaking.


    ART 131 , ART 132 , ART 141 ; permission of CVA Department. (3).

    Investigation of printmaking techniques in a single topic area.  Areas may include, but are not limited to, serigraphy, woodcut, linocut, intaglio and the monoprint. May be reelected to a total of 12 credits in each topic area.
  
  • ART 240 - Creativity and Portfolio Development.


    ART or ARH concentration or minor; ARH 140 , ART 141 , ART 142 . (3).

    Introduction to contemporary artistic production and practice, featuring portfolio preparation techniques, documentation of 2D and 3D artwork, and creation of a personal artist statement. Emphasis on major recent art movements and tendencies and criticism of contemporary art. Introduction of topics that foster creativity; development of critical writing skills and vocabulary. Graded ABCDE/Y.
  
  • ART 251 - Fundamentals of Stage Makeup.


    (3).

    Theory and practice of both two-and-three dimensional character makeup for the theatre. Lecture and laboratory. Also listed as THE 251 .
  
  • ART 252 - Introduction to Digital Design.


    Major in Visual Communication, Theatre, or Computer Science/Game Development Track; ART 141  or ART 271 /THE 271 ; or consent of instructor. (3).

    Introduction to two-dimensional art fundamentals and use of computer software in studio practice. Exploration of visual problem solving and the creative process. Also listed as THE 252 .
  
  • ART 263 - Painting.


    ART 131 , ART 132 , ART 141 ; consent instructor. (3).

    Investigation of painting media and various techniques and processes. Students create work in oil, acrylic and at least one other paint medium (watercolor, encaustic, tempera)  to establish a working knowledge of each paint’s properties and begin development of a significant body of work derived from a variety of sources.
  
  • ART 269 - Sculpture.


    ART 131 , ART 132 , ART 141 ; consent of CVA department. (3).

    Investigation of a variety of media and technical processes, including carving, modeling, fabricating and casting. Emphasis on development of personal imagery and awareness of contemporary influences. May be reelected for more advanced study to total 12 credits.
  
  • ART 270 - Introduction to Figure Modeling in Sculpture and Ceramincs.


    ART 130 , ART 131 , ART 132 , ART 135 , ART 142 . (3).

    Introductory studio course exploring representation of the human figure, both realistically and expressively, in sculpture and ceramics, working from the live model.
  
  • ART 271 - Introduction to Theatre Design.


    (3).

    Introduction to basic elements of design and application of these elements to theatrical design. Emphasis on interpreting dramatic text and communicating ideas visually. Also listed as THE 271 .
  
  • ART 281 - Ceramics.


    ART 131 , ART 132 , ART 141 ; consent of CVA department. (3).

    Investigation of techniques, including hand-building and wheel-forming methods and glaze mixing and application. Emphasis on development of personal imagery in ceramics. May be reelected for more advanced study to total 12 credits.
  
  • ART 298 - Topics in Art Studio.


    (3).

    Undertaking of special art projects and/or an exploration of a unique medium to develop additional artistic skills and competence. May be reelected to a total of 9 credits.
  
  • ART 300 - Methods and Materials.


    ART 101 (MCC). (3).

    Application of skills and information learned in studio classes to teaching. Development of sequential art curriculum for elementary, middle and secondary teaching, production of instructional resource files, assessment of artwork, current issues in art education. Clinical experiences in elementary, middle and secondary classrooms. Also listed as EDE 342.
  
  • ART 301 - Advanced Comics Studio.


    ART 211  or consent of instructor. (3).

    Continued study of componets of sequential art making and the art of the comic. Exploration of visual storytelling theories and techniques using various materials. Students create visual narratives while critically addressing and discussing artistic, instructional and narrative capacities of comics. May be reelected to a total of 9 credits.
  
  • ART 302 - Photographic Lighting Techniques.


    ART 214 , ART 216 ; or consent of instructor. (3).

    Demonstration and hands-on experience exploring basic and technical use of ambient, tungsten and electronic flash illumination with color and black and white film. Students work with a variety of lighting equipment and accessories to make images with predictable creative results.
  
  • ART 303 - Issues, Methods and Materials in K-12 Art.


    ART 300  or EDE 342  or consent of instructor. (3).

    Student participation in art educational experiences and teaching of seminars in a real classroom setting, based on study of course texts and resources addressing K-12 contemporary issues in art education, the history of art education, issues of “special needs” students, classroom management skills, and instructional practices for elementary, middle and high school level courses.  Offered in Winter semesters. Also listed as EDS 342.
  
  • ART 304 - Large Format Photography.


    ART 214 , ART 216 ; or consent of instructor. (3).

    Exploration of large format view camera capabilities, including technical and aesthetic possibilities afforded by this technical camera style. Special attention to large negative print production and scanning.
  
  • ART 306 - Art of Collage.


    ART 141  (MCC) or ART 131 . (3).

    Exploration of abstract, representational, semi-abstract and non-objective imagery through the manipulation of a variety of materials, media and collage techniques. Exploration of two-dimensional and three-dimensional forms to facilitate expression of personal interests. May be reelected to a total of 9 credits.
  
  • ART 307 - Water-Based Painting.


    ART 263 . (3).

    Exploration of work with acrylic paint and other water-based media such as ink wash (except watercolor). Students build conceptual, creative and technical abilities to express creative ideas, while exploring traditional and new uses of the medium.
  
  • ART 309 - Oil Painting


    ART 263 . (3).

    Exploration of work with oil paint. Students build conceptual, creative and technical abilities to express creative ideas, while exploring traditional and new uses of the medium. Includes an introduction to the safety concerns of working in oil, and covers practical preparations including preparing a base, and stretching and framing a canvas.
  
  • ART 323 - Scene Painting.


    A University-level drawing class; THE 271 /ART 271  . (3).

    Scene painting techniques including color theory, heightened perspective, stenciling, dimensioning, landscape and architectural styles. Applied work on realized sets. Also listed as THE 322 .
  
  • ART 324 - Introduction to Illustration.


    ART 252  . (3).

    Creation of conceptual illustrations using a wide variety of imagery including both hand skills and computer software programs. Exploration of techniques for interpreting and visualizing verbal information focusing on design, composition and color theory. Focus on the development of a personal visual vocabulary through critical analysis.
  
  • ART 326 - Advanced Digital Photography.


    ART 126 /COM 126  . (3).

    Advanced use of digital photographic technology; emphasis on use of appropriate technology for aesthetic ends. Includes (digital) still photography, high-definition video capture, publishing on the Internet, and performance.
  
  • ART 327 - Photographic Printmaking.


    ART 116  or ART 218  or ART 329  or consent of instructor. (3).

    Exploration of photographic image making using traditional darkroom, digital, and alternative process techniques and materials. Emphasis ion development of a stylistic body of work based on concepts combined with appropriate materials. Offered infrequently.
  
  • ART 328 - Artist Bookmaking.


    Consent of instructor. (3).

    Methods of preparing images and text to be expressed as a bound book. Artists’ books, journals, electronic bookworks.
  
  • ART 329 - Introduction to Digital Imaging.


    Major or minor in Visual Communication or consent of instructor. (3).

    Exploration and creative use of pixel-and vector-based imagery to illustrate complex communication problems. Utilization of sophisticated professional imaging software and techniques as a tool for individual expression and communication.
  
  • ART 330 - Typography II.


    ART 232 . (3)

    Examination of the impact of typography on the world of visual communication through symbolic, cultural, aesthetic and personal typography.
  
  • ART 333 - Print Production Techniques.


    At least junior standing, ART 252 /THE 252 . (3).

    Exploration of publication design, focusing on aesthetic and technical issues of page layout and document design in relation to commercial printing. Font usage, image and file formats, efficient planning and production techniques. Also listed as COM 333  . Offered infrequently.
  
  • ART 334 - Business of Visual Communications.


    At least junior standing. (3).

    Introduction to business practices in the graphic design field. Negotiation, pricing, proposals and contracts, ethical standards, professional relationships. Also listed as   .
  
  • ART 335 - Web Design I.


    (3).

    Introduction to aesthetic and technical concerns of web design, with emphasis on design and coding including HTML, CSS.
  
  • ART 336 - Creative Learning Experiences.


    Prior or concurrent election of EDE 360 . (3).

    Creative activities for early childhood, elementary and middle school children through the integration of art, music, play and drama. Techniques of planning, presenting and evaluating creative learning experiences for the classroom. Also listed as DAN 336 , EDE 340 , MUS 336  and THE 336 .
  
  • ART 342 - Editorial Design.


    ART 232 , ART 252 /THE 252 . (3).

    Examination of historical traditions of graphic design expression in the book form and its modern descendants such as magazines, newspapers, and other print media. Concepts and designs as expressed through editorial concept, content, format, image and audience.
  
  • ART 346 - Interaction Design I.


    ART 204 ART 335 ; restricted to Visual Communication majors.. (3).

    Introduction to project development related to game design. Exploration and analysis of games and how they relate to the larger field of interaction design.
  
  • ART 347 - Motion Graphics.


    ART 252 /THE 252 , ART 335 ; or consent of instructor. (3).

    Introduction to motion graphics for broadcast, web-based and interactive technologies. Practical application of various software and file formats. May be reelected to a total of 12 credits. Also listed as COM 347  .
  
  • ART 348 - Interaction Design II.


    ART 346 . (3).

    Analysis and exploration of prototype creation to solve problems with interaction design methods. Emphasis on design practices to ideate, mockup, prototype and realize projects.
  
  • ART 350 - Sculpture: Mixed Media.


    ART 142  (MCC) or consent of instructor. (3).

    Intermediate course exploring a variety of techniques and media, including collage and assemblage. Focus on ready-made objects as well as newly formed objects and their assembly to create innovative art in a sculptural direction.
  
  • ART 351 - Choreography I: Composition.


    DAN 116 , DAN 120 . (3).

    Exploration of choreographic structure, dramatic and stylistic components involved in the study and creation of movement in the studio and on computer. Also listed as DAN 351 .
  
  • ART 353 - Portraiture In Painting or Drawing.


     , ART 131 ART 135 . (3).

    Exploration of the genre of portraiture, both past and present. Students develop conceptual and model-based portraits through consideration of technical, stylistic and creative approaches to the subject. Focus on either painting or drawing; may be reelected once in the alternate medium.
  
  • ART 354 - Narrative in Painting or Drawing.


    ART 130 , ART 131 ART 135 . (3).

    Investigations of expression of temporal concepts or actions in drawing and painting, including the role of these media in narrative depictions from the past and the present. Focus on the use of iconography and artistic style in the communication of narrative content. May be reelected to a total of 6 credits.
  
  • ART 360 - Watercolor.


    ART 132 . (3).

    Exploration of painting techniques are explored using the medium of watercolor. Stress on composition, concept, and other formal concerns. May be reelected to a total of 12 credits.
  
  • ART 361 - Drawing and Painting from Life.


    ART 131  (MCC) or consent of instructor. (3).

    Focus on the human figure as a source of imagery. Traditional drawing materials and water media.
  
  • ART 362 - Drawing and Painting from Life II.


    ART 361  or a course in life drawing. (3).

    Continuation of the methods and concerns developed and considered in ART 361 . Focus on the human figure as a source of imagery. Traditional drawing materials and watercolor. Emphasis on development of individual methods, working in series, expanded knowledge and use of media, and increased understanding of anatomy.
  
  • ART 364 - Painting or Drawing Properties and Processes.


    ART 263  or consent of instructor. (3).

    Investigation of the techniques or processes of painting or drawing. Students work in either painting or drawing to develop personal imagery derived from a variety of sources. May be reelected once in the alternate medium.
  
  • ART 366 - Mural Painting.


    ART 131  (MCC) or consent of instructor. (3).

    History and techniques of mural painting. Students paint 1-2 murals after a design is selected by clients from those presented by class members. May be repeated twice for credit.
  
  • ART 367 - Intermediate Figure Modeling in Sculpture and Ceramics.


    ART 270 . (3).

    Intermediate studio course focusing on realistic portrayal of the human figure in a variety of three-dimensional media, working from the live model.  Emphasis on creating professional frameworks and/or support for a figure, and techniques related to working with the mass of the medium.
  
  • ART 368 - Installation Art.


    ART 130 , ART 142 . (3).

    Studio course investigating trends in installation art of the twentieth and twenty-first centuries, introducing techniques and concepts related to site-specific indoor and outdoor art.  Successful planning and completion of an individual installation project required.
  
  • ART 369 - Sculpture: Welding Techniques.


    ART 269 . (3).

    Studio course introducing students to creative, technical and safe approaches to working with metal through welding and other applications, in both historical and conceptual contexts.
  
  • ART 370 - Costume Design for the Theatre.


    THE 271  or consent of instructor. (3).

    Application of theories and techniques of costume design to specific problems of the play. The student produces renderings for costume designs using various media. Lecture and laboratory. Also listed as THE 370 .
  
  • ART 371 - Sculpture: Metal, Wood and Glassworking.


    ART 142  (MCC) or consent of instructor. (3).

    Intermediate course exploring the materials of metal, wood and glass in sculptural direction. Broadening of both technical and material usage in the creation of three-dimensional art.
  
  • ART 372 - Sculpture: Alternative Methods and Materials.


    ART 142  (MCC) or consent of instructor. (3).

    Intermediate course exploring use of alternative materials and processes in a sculptural direction, broadening technical and material usage in the creation of three-dimensional art. Exploration of radical methods of conceiving and creating sculptural objects, including conceptual decisions made by artists when selecting materials.
  
  • ART 373 - Sculpture: Public Art.


    ART 142  (MCC) or consent of instructor. (3).

    Intermediate course exploring design and execution of large-scale sculpture for public art installations, broadening conceptual and technical abilities in the creation of three-dimensional art.  Multi-media approach including investigation, proposal, planning and creation phases.
     

     

  
  • ART 374 - Sculpture: Jewelry.


    ART 269 . (3).

    Studio course exploring the broad variety of ceramic and sculpture media as they relate to design and production of jewelry.  Emphasis on creative style and design and excellence in execution, planning and craftmanship.
  
  • ART 376 - Web Design II.


    ART 335 ; restricted to Visual Communication majors. (3).

    Introduction to advanced technological components of web and interactive design, with attention to client and server connections and mobile web design. Students create a series of projects, along with smaller assignments, using HTML, CSS and Javascript.
  
  • ART 377 - Advanced Interaction Design I.


    ART 376 . (3).

    Studio work focused on interactioon for mobile and micro-computing systems in the creation of projects and physical spaces.
  
  • ART 378 - Kiln Operation and Glaze Formulation.


    ART 281 , ART 382 , ART 383 , ART 384 . (3).

    Introduction to the chemistry of glaze formulation, for experimentation and testing for various firing ranges, color, and texture possibilities.  Survey of ceramic kilns, including historical and contemporary designs and materials; loading, maintenance and repair; exploration of firing techniques and effects that can be achieved using specific kilns.
  
  • ART 379 - Design Studio.


    Senior standing, visual communication concentration; or consent of instructor. (3).

    Active design studio offering communication design services for UM-Flint and its service region.  Students gain practical experience working with non-profit organizations and/or on self-initiated community projects and gain firsthand knowledge the impact of graphic design on the community.  Selection of projects and clients determined in collaboration with University Outreach. May be reelected to a total of 6 credits. Graded ABCDE.
  
  • ART 380 - Scene Design for the Theatre.


    THE 271  or consent of instructor. (3).

    Three dimensional design for the stage. Design and execution of three dimensional scale models, scenic renderings appropriate to the play. Use of various media. Lecture and laboratory. Also listed as THE 380 .
  
  • ART 381 - Ceramics: Survey of Materials and Processes.


    Sophomore standing or consent of instructor. (3).

    Design and creation of artwork that investigates a variety of ceramic techniques. Execution of ceramic projects that are both functional and sculptural. Includes development of slips and glazes for classroom use. Emphasis on individual development in aesthetic response and technique.
  
  • ART 382 - Ceramics: Slipcasting.


    Sophomore standing or consent of instructor. (3).

    Design and creation of artwork that investigates the technique of slip casting liquid clay. Execution of ceramic projects that are both functional and sculptural. Includes the development of slips and glazes for classroom use. Emphasis on individual development in aesthetic response and technique.
  
  • ART 383 - Ceramics: Handbuilding.


    Sophomore standing or consent of instructor. (3).

    Design and creation of ceramic artwork that investigates the techniques of handbuilding, including creation of plaster press molds. Execution of ceramic projects that are both functional and sculptural. Includes the development of slips and glazes for classroom use.  Emphasis on individual development in aesthetic response and technique.
  
  • ART 384 - Ceramics: Throwing on the Wheel.


    Sophomore standing or consent of instructor. (3).

    Design and creation of ceramic artwork that investigates techniques of working on potter’s wheel. Execution of ceramic projects that are both functional and sculptural. Includes the development of slips and glazes for classroom use.  Emphasis on individual development in aesthetic response and technique.
  
  • ART 385 - Realism in Drawing or Painting.


    ART 130 , ART 135 . (3).

    Explorations of the historical and contemporary techniques of working in a realistic mode. Focus on either painting or drawing; may be reelected once in the alternate medium.
  
  • ART 386 - Abstraction in Painting or Drawing.


    ART 130 , ART 135 ART 263 . (3).

    Introduction to non-representational work in various painting or drawing media. Focus on either painting or drawing; may be reelected once in the alternate medium.
  
  • ART 390 - Advanced Art Studio Topics.


    One from ART 132 , ART 141 , ART 142 ART 252 . (3).

    Undertaking of advanced art projects and study and/or exploration of specialized and unique medium/media to develop and expand art skills, knowledge and competence.
  
  • ART 391 - Advanced Interaction Design II.


    ART 377 . (3).

    Studio work focused on creation of large-scale design projects, working from initial design to full implementation. Semester-long effort could include individual projects, group-based projects, or projects with external clients.
  
  • ART 392 - Portfolio Development.


    ART 240 , consent of instructor. (1-3).

    Students undertake individually conceived and faculty-guided projects to develop a body of work in the area of emphasis. May be reelected to a total of 6 credits. Graded ABCDE/Y.
  
  • ART 395 - Advanced Studio Problems, Two-Dimensional.


    Consent of instructor. Open only to upper-level students in art. (1-6).

    Advanced level studio course, intended to encourage individual development in a selected medium. Oil paint, acrylic, mixed media, watercolor or drawing materials may be selected. May be repeated to total 12 credits.
  
  • ART 396 - Advanced Studio Problems, Three-Dimensional.


    Consent of instructor. Open only to upper-level students in art. (1-6).

    Pursuit of individual projects in three-dimensional media; limited to students with previous advanced work in sculpture, ceramics, or another three-dimensional area. May be repeated to total 12 credits.
  
  • ART 398 - Internship in Visual Arts and Communication.


    Consent of instructor. (1-6).

    Hands-on work experience and exploration of career opportunities in the art and communications fields. Selected placement of qualified students in commercial or non-profit organizations. May be repeated for credit to a total of 9 credits. Also listed as COM 398  .Graded ABCDE/Y.
  
  • ART 401 - Senior Design Portfolio.


    Graphic design or photography concentration; senior standing; consent of instructor. (3) CAP.

    Rigorous directed study designed to produce a professional portfolio of personal work capable of producing commissioned assignments or professional employment.
  
  • ART 402 - Project Photography.


    ART 116  or ART 126 ; ART 216 . (1-6).

    Photographic study devoted to a single, semester-long photography project. Exploration of theories and techniques of creating sustained visual content. Emphasis on identifying projects capable of execution within a planned concept, time-frame, budget, and use of the medium. May be reelected for credit.
  
  • ART 404 - Studio Photography I.


    ART 302 , ART 304 . (3).

    Exploration of studio practice, including lighting, set construction, props, and tabletop still life photography. Also listed as COM 404  .
  
  • ART 405 - Studio Photography II.


    ART 404 /COM 404 . (3).

    Advanced exploration of studio practice, including digital capture, workflows, and special effects. Also listed as COM 405 . Offered infrequently.
  
  • ART 406 - Corporate Identity/Business Graphics.


    Visual Communication major or minor; ART 232  or consent of instructor. (3).

    Exploration of the logo and logotype as visual representation, including application to collateral business materials. Emphasis on the creative process, research, and branding techniques.
  
  • ART 407 - Advanced Life Painting or Drawing.


    ART 361 . (3).

    Investigation of the human figure in painting or drawing, with emphasis on advanced techniques such as creating multi-figured compositions and varied styles and settings. Focus on either painting or drawing; may be reelected once in the alternate medium.
  
  • ART 408 - Boundaries of Painting or Drawing.


    ART 263 ART 361 . (3).

    Focus on the integration of painting and drawing with other media, whether conceptually or physically, and how to think about the boundaries between media in both practical and theoretical ways. Focus on either painting or drawing; may be reelected once in the alternate medium.
  
  • ART 422 - Image and Text.


    ART 329 , ART 330 ; or consent of instructor. (3).

    Exploration of two major elements of graphic design photography and typography. Students design and produce a variety of printed materials using these elements to communicate specific messages in a manner both effective and artistic. Also listed as COM 422 .
  
  • ART 460 - Spoken Word as Art and Communication.


    COM 210 . (3) F.

    Spoken Word as both art and communication, linked to public speaking but different in nature of performative content, delivery and purpose.  Traditional elements of Spoken Word performance from the 1950s to present day; various forms of Spoken Word (slam poetry, open mic, performance art) as it is linked to social justice and reasons performers create work for the stage.  Students learn artistic use of voice and body language to convey messages to two audiences: Self and Other. Also listed as COM 460  and THE 460 .
  
  • ART 471 - Sculpture: Advanced Techniques.


    One of ART 350 , ART 371 , ART 372 , ART 373 ; or consent of instructor. (3).

    Advanced studio course. Continued exploration of materials and techniques to execute three-dimensional art. Students are encouraged to research and develop personal styles in both aesthetic response and technique.  May be repeated to a total of 9 credits.
  
  • ART 472 - Advanced Figure Modeling in Sculpture and Ceramics.


    ART 367 . (3).

    Advanced studio course exploring work with the live model from both traditional and non-tranditional perspectives.  Focus on development of stylistic and expressive approaches to the human subject in conventional and new media.
  
  • ART 481 - Ceramics: Advanced Techniques.


    One of ART 381 , ART 382 , ART 383 , ART 384 ; or consent of instructor. (3).

    Advanced studio course. Continued exploration of ceramic techniques to execute designs in clay that are both functional and sculptural in nature. Formulating glazes, stacking and firing a kiln. Students are encouraged to research and develop personal styles in aesthetic response and technique. May be repeated to a total of 9 credits.
  
  • ART 495 - Senior Portfolio.


    ART 240 . (3).

    Students work towards completion of a professional portfolio and artist’s statement. Review by a panel of program faculty is required to pass the course and is reflected in the course grade. Graded ABCDE/Y.
  
  • ART 498 - Senior Seminar.


    (Formerly 399). ART 240 . (3) CAP.

    Necessary and practical information related to artists entering the art world. Technical items such as matting, framing, photographing and displaying art; writing contracts; and dealing with commissions. Senior BFA exhibition included as part of the course grade.
  
  • ART 507 - Topics in Communication and Visual Arts.


    Graduate standing. (1-3).

    Focus on various topics involving intensive study in areas related to communication, graphic design, or studio art. The title for each section varies based on the topic of study. May be reelected for credit when topics vary. Also listed as COM 507 .
  
  
  • ASL 111 - American Sign Language I.


    Not open to students with more than one year of high school American Sign Language except by departmental consent. (3) FL.

    Basic sign language. Introduction to vocabulary, direction and orientation of signs, hand shapes, common phrases and basic dialogue. Emphasis on visual reception and expression of signed concepts. Taught at Mott Community College; follows its class schedule.  Graded ABCC-N.
  
  • ASL 112 - American Sign Language II.


    ASL 111  or consent of instructor. (4) FL.

    Continuation of ASL 111 , broadening the student’s vocabulary, visual acuity, understanding, and sign output.  Taught at Mott Community College; follows its class schedule.  Graded ABCC-N.
  
  • ASL 113 - American Sign Language III.


    ASL 112  or consent of instructor. (1) FL.

    Concentrated attention to words fingerspelled in the context of signed sentences to enhance the student’s ability to understand and clearly demonstrate fingerspelling. Graded ABCDD-N.
  
  • AST 100 - Introductory Laboratory.


    Consent of instructor. (1) N/NL.

    Introductory laboratory for transfer students with credit for a lecture-only course equivalent to the lecture portion of one of: AST 131 , AST 135 , PHY 143 , PHY 145 . May be reelected to a total of 4 credits. Also listed as PHY 100 .
  
  • AST 120 - Survey of Astronomy.


    (4) N/NL.

    Introductory course for non-science majors. Provides a broad introduction to astronomy including: daily, monthly and yearly patterns in the sky; an introductory survey of gravity, light, and atoms; formation of the solar system; stars and stellar evolution; galaxies, cosmology, and the evolution of the universe; and the fundamental tenets of science and the scientific process. Covers most areas of modern astronomy at a level requiring basic mathematics. Graded ABCDE/Y.
  
  • AST 131 - Astronomy of the Solar System.


    MTH 111  with a grade of C (2.0) or better, or equivalent as determined by math placement test. (4) N/NL.

    Origin and history of the Universe and formation of the Earth and solar system.  Earth’s properties compared with those of other planets. Properties of light and tools astronomers use. Laboratories feature planetarium visits and activities demonstrating astronomical phenomena.  Three hours lecture and two hours laboratory per week.
  
  • AST 135 - Beyond the Solar System.


    MTH 111  with a grade of C (2.0) or better, or equivalent as determined by math placement test. (4) N/NL.

    The nature of stars, black holes, luminous nebulae, supernovae, galaxies, and other cosmic phenomena. Foundations of modern cosmology ; exploration of spacetime, gravity, and building blocks of the universe. Three hours lecture and two hours laboratory per week.
  
  • AST 291 - Supervised Study in Astronomy.


    Consent of instructor. (1-3).

    Laboratory work or study of the literature on designated problems chosen by the student in consultation with a faculty supervisor. For students who already have some knowledge of elementary astronomy. May be reelected to a total of four credits.
  
  • AST 391 - Independent Study.


    Consent of instructor. (1-3).

    Laboratory study or study of current literature on a special problem. May be reelected to a total of 4 credits. Graded ABCDE/Y.
 

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